A Tapestry of Many Threads was commissioned to celebrate the 100th anniversary of the Dovecot Studios in Edinburgh. The 19 pieces, composed by Tom Cunningham with words by renowned author Alexander McCall Smith, are inspired by tapestries woven at the studios and the techniques of making them. It premiered at the 2012 Edinburgh Festival Fringe, winning a Herald Angel Award.
The Herald (5 stars):
Composer weaves together a perfectly crafted love story: one of the most perfectly crafted shows to be found in Edinburgh this year. The scope of the show is fantastic, and it succeeds on every level without ever seeming hard work from an audience point of view. McCall's Smith's lyrics are a model of clarity and purpose and Cunningham's music seamlessly embraces a palette of art song, saloon jazz ballad, musical theatre and traditional sources.
The Scotsman (4 stars):
the joyful exuberance of Alexander McCall Smith’s libretto and Tom Cunningham’s composition are universal, whether or not you can’t tell the difference between a weft and a yarn or an aria and an opus.
The Public Reviews (4½ stars):
beautifully evocative ... excellently performed ... Highly recommended.
bachtrack.com (4 stars):
Cunningham’s music was tuneful and thoughtful, taking us from classical through folk, and a little jazz and blues, to a lively Scottish dance to finish. The stories, music and tapestries blend together to make this a highly recommended show to catch at this year’s Edinburgh Fringe.
BroadwayBaby.com (4 stars):
Cunningham has a real gift for genuine original melody – much rarer than you might think – and incorporates vigorous folk influences, blues and swing as well as tints of Debussy and Vaughan Williams in folk mode. At least two of the numbers (Water of Life, Only the Moon) deserve to become cabaret standards.
Tim Cornwell in the Arts Journal:
There are some strong, simple tunes and gifted voices to be enjoyed at close quarter in A Tapestry of Many Threads. Cunningham’s music is appealing and tuneful, much more open access than most contemporary classical works.
Some excerpts of the items below:
Una selva oscura: “A Dark Wood”, 1980, Tom Phillips RA, location unknown. Listen
Marine Still Life: or “Stars & Shells”, 1949, Edward Wadsworth RA, private collection. Listen
The lesson Listen
quick, slow: 2010, Claire Barclay, Arts Council Collection South Bank.
The preciousness of the skills
The mutable house
Eastern Still Life: 1980, Elizabeth Blackadder DBE RA, UK Government Art collection. Listen
Lord of the Hunt: 1912-24, Skeoch Cumming, Bute Collection Mount Stuart.
There is the warp Listen
Corryvreckan: 1997, Kate Whiteford, National Museum of Scotland.
The threads are cut
Humankind: 1988, Sir Robin Phillipson RSA, Culture & Sport Glasgow (Museums). Listen
The Water of Life: 1983, Joanne Soroka, Glenfiddich. Listen
Cleish Castle blinds: 1973, Sir Eduardo Paolozzi RA, Michael Spens. Listen
Only the moon: “Pause on the landing”, 2005, Patrick Caulfield, British Library. Listen
Farming: 1950, Edward Bawden RA, Victoria and Albert Museum. Listen
A man with cabbages: or “Chestnuts”, 1949, Sir Stanley Spencer RA, Stanley Spencer Gallery.
Play within a Play: or “A Tapestry made from a Painting, Made from a Painting of a Tapestry, made from a painting” 1969, David Hockney RA, The David Hockney Foundation. Listen
Celtic Spirit: 2002, Alan Davie, Chancellor’s Building, Medical School, University of Edinburgh. Listen
Download the score, or order a CD of the full work with the original cast.